Behind the Bar

Anne Louise Marquis

Portfolio Brand Ambassador For Campari America

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Behind some of your favorite brands are incredible teams of passionate advocates painstakingly developing experiences that extend the voice and virtue of those spirits that they represent. From developing programs to teaching consumers and interacting with bartenders in every major city, they bring their brands to life. As the National Portfolio Brand Ambassador for Campari America, Anne-Louise Marquis has taken this to the next level by creating memorable experiences, sought-after swag and captivating moments. But her work didn’t start here; like many, she began bartending just out of college where she could work while figuring out what her next step was. We sat down with Anne-Louise to discover more about her work.


HOW DID YOU GET STARTED WORKING WITH SPIRITS?

I always wanted to be an actor and went to school to make theater. When I graduated, I quickly needed to find a way to make money while I was also trying to be an experimental theater artist. I knew that I wasn't going to make a lot of money because I wanted to do pretty non-conventional stuff. So, like so many people in our industry, I found hospitality to be a safe haven and a source of income. Hospitality let me be creative and sociable, have a lot of fun and learn, and it was interesting to me. 

At the time, I was waiting tables and working in a pretty terrible dive bar. Then I found craft cocktails. While I would never tell anyone to go to bartending school, I ended up at one where the teacher was subverting the main curriculum and teaching us real cocktails. He was also teaching a class in his home. I took that class, and it blew my mind. I'm a Virgo, and I love structure. I love a formula that you can do 1000 permutations of. I loved learning about the cocktail families and the history behind all the spirits on the back bar. 

So, I talked my way into my first craft cocktail job, and I was immediately in the place I was meant to be. For five years after college, I had been in an industry where I kept hearing, “You're not good enough, you're not the right size, you're not the right shape. You're not the right age, your hair color is wrong.” Then I walked into the cocktail industry, which said, “Thank God, you're here. We've been waiting for you. Get started. Here you go.” Everyone was so supportive the second I arrived, and it felt like the place that I was supposed to be.


HOW DID THAT EVOLVE INTO YOUR CURRENT ROLE?

Anne-Louise smiles for the camera

I still loved theater after bartending for a few years; I still do. When I first started bartending, I was really fascinated with the performance of hospitality and the opportunity that hospitality offered to create immersive experiences. So I started throwing parties. I was doing circus school at the time, and I had this vision of a drinkable circus. I started hosting parties before pop-ups were really a thing. 

So we were doing these low-budget bar takeover pop-up events (my best friend Leslie Pariseau and I) with $100 or less. We threw cocktail parties revolving around specific themes. Like the day before Valentine's Day, we hosted a party in honor of breakups. The drinks had names like “Plenty of Fish,” and we only served ramen. We invited people to come, drink, eat noodles, and feel their feelings about breakups. I didn’t think anyone would come, but we sold out. A couple actually came and formally ended their relationship at the event; they popped a balloon in the middle of the restaurant and that was that.  

Another time, we hosted a Running of the Bulls party where we had everyone dress up like bulls and run through the streets. It was that kind of stuff where it was for the industry, creative, immersive, very simple to execute parties and events. That caught the eye of Pernod-Ricard. Leslie used to work for Pernod, and when she left her role to go be a full-time writer, I took her old job. So I did that for two years on Pernod Absinthe, and then I went to Grand Marnier for two years. Then Grand Marnier was acquired by Campari America, and I went to Campari America.



FOR THOSE GETTING TO KNOW YOU, WHAT EXACTLY IS YOUR ROLE RIGHT NOW?

I'm the National Portfolio Brand Ambassador for Campari America, which means I cover all the brands and I cover the country. As such, I work in a more strategic role. I do market visits, product training, host events, and give a human face to these brands. I also think about how we talk to the bar community in a macro sense.

I manage our newsletter and our Instagram account, and I send out mailers to people with fun swag that keeps them connected to us. When I think of what I do, what all brand ambassadors do, is distilled in this description of a lighthouse. 

I describe it like this: We stand right on the border between the company and the community- with one foot in both places. Our job is to take the message of the company and share it out. Then also, as we come back around, we take all that information from the community and shine it back to the company. So we're that space in between where that information is shared.

WHAT ARE YOUR FAVORITE ASPECTS OF THIS ENVIRONMENT?

I love that I work on brands that are incredibly meaningful to people - brands that they feel deeply connected to. If I am at an industry event, it is rare that at least one person doesn't show me a tattoo that they have of a brand that I work on. This is the highest compliment in our industry community, and it’s very special to get to be part of a brand that people love so much they tattoo it onto their body. Or even just wearing the swag that we make. I love seeing my pieces out in the world, and it’s really special to know that people love these spirits as much as I do. 

Of course, I also love the people I work with. Our team is best-in-class. We're small, but we're able to be extremely loud in our networks and do really great work.


ARE THERE ANY SKILLS THAT YOU SPECIALIZE IN?

So this might sound kind of weird, but I am good at being a human. I think that sometimes when we talk about “soft skills,” like interpersonal skills, conflict management, and empathy, they are not as valued as much as “hard skills” might be. So, it's something that often gets discounted, but it is the single most important piece in building relationships, building connections, and offering meaning and belonging to people. I think that any brand ambassador needs to have that level of empathy to relate to the people they are teaching. You might be talking to another bartender who's just learning how to bartend. It might be a bartender who's been bartending for 20 years and has their own set of knowledge. It might also be a consumer or someone who's never made a cocktail before. It’s vital to have empathy and be able to tailor education to the audience so they can get the most out of it. 

I think being creative is vital to this role. It's so competitive. There are so many brands out there, and everyone's doing cool stuff. I love that everyone's doing cool stuff. I love that everyone in our industry are friends, and we cheer each other on and support each other. But we're also competing to throw the best party and to have the best program and to do the most original idea. Being creative is challenging, as is producing those creative ideas into existence. Most people can’t do both. If you can be both very creative and then also be able to implement that idea, that makes you the most employable person in the world. Because most people are one or the other. 

Lastly, for anyone considering this kind of role — it’s imperative that you love the brands you work on and know them inside and out. Then you have to be able to synthesize that knowledge into a format that allows other people to also love and understand the brand. We are in the business of teaching teachers and empowering advocates. I just love watching my team present because they're such great educators; their depth of knowledge is so inspiring, and that encourages other people to also want to learn and share it with others in return.



WHAT IS A FAVORITE PIECE OF SWAG THAT YOU HAVE DESIGNED AND DEVELOPED?

I think that swag is really important because it's a physical manifestation of a brand. It is rare and special to get a piece of it. It's symbolic of your relationship to that brand and of how that brand feels about you. It's this little token, this little item that symbolizes a lot.

A recent piece that sticks out in my mind is so silly and so small but was really impactful. We made a little keychain for 1757 Vermouth that said, “Put the vermouth in the fridge.” It’s an inside joke for bartenders because most people don’t realize that vermouth goes bad if you leave it on the shelf. Bartenders loved them. It was so exciting to see the response. I think finding ways to let people feel like they're on the inside of the joke fosters connection. I still see them on keyrings all the time.


ARE THERE ANY ROUTINES OR RITUALS THAT YOU VALUE WITHIN YOUR WORK?

My physical wellness is inextricably connected to my ability to perform while at work. I exercise every day. Part of my working hours is making sure that my body is able to do the work it needs to do, to be able to show up for this level of intensity of account visits all night, up late, and up early. I think having a physical outlet to be able to find balance with the stress is key. I run every day pretty much, and I also do yoga and fitness classes when I can.

Aside from that, we work on a lot of projects, and I really love the creative flow. I love the process of taking a project from ideation through the process of gathering everyone's input and working with an artist or designer to put something together and then sharing it. That's really fun for me. I don't know if that's a ritual, but the creative production process is something I really enjoy, and it’s really special to me that I get to do it because I feel so blessed that I get to make things that people will love and cherish.


WHAT IS YOUR FAVORITE COCKTAIL TO MAKE?

I just love a margarita. I love a margarita any way I have it. I love making them. I love ordering them out at restaurants. I love spicy margaritas; I love a smoky margarita. I love a fruity margarita. I just really am a fan of the margarita. That's probably my go-to drink. I also like to make old fashioneds. I enjoy telling the story of the old fashioned when I make it for somebody. I love the simplicity of such a few ingredients but the demand that each of those elements be in balance with one another. And I love how a well-made drink can light up someone's eyes when they taste it.


DO YOU HAVE A GO-TO OLD FASHIONED AND OR MARGARITA RECIPE?

Grand Margarita

  • 1-1/2 parts Espolòn Tequila Reposado
  • 3/4 part Grand Marnier Cordon Rouge
  • 3/4 part fresh lime juice
  • 1/2 part agave syrup

Rim a double rocks glass with sea salt (optional). Build the drink in a mixing tin, add ice, and shake. Strain into a double rocks glass. Garnish with a lime wheel.


Wild Turkey (B)old Fashioned

  • 2 parts Wild Turkey® 101 Bourbon
  • 1/4 part simple syrup
  • 2 dashes aromatic bitters

Stir together ingredients. Pour over ice into a rocks glass and garnish with orange peel.


WHAT ARE YOUR FAVORITE CITIES TO DRINK IN?

New Orleans is top of the list, of course, because it's so much fun and such a transporting place. I lived in New York City for a decade, and I love to go back and visit my favorite bars now that I don’t live there anymore. It’s such a treat to see how so many of the people I came up with now own their own spots or are running their own programs. Chicago is such a great hospitality city. It's a place where they really focus on hospitality in a way that they just don't in other places. The food is so good, the drinks are fun, and the energy is always wonderful.

Last but not least, I fell in love with Birmingham, Alabama years ago and take any chance to go back. I love the bar community there. There's so much interesting, fun stuff happening and such good people. The first time I went to Birmingham, I didn't really know anything about it, but my friend Steva Casey took me out and said, “you're gonna love Birmingham by the end of this.” And I do. She was right.


ARE THERE ANY TRENDS THAT YOU FIND FASCINATING IN SPIRITS?

The trends that are interesting to me are mostly centered around how people adapted to COVID and how the industry is going to be impacted long-term — what changes are going to stick and what's not. It’s been exciting to see bartenders and bars become more entrepreneurial, expanding beyond brick and mortar with products like cocktail kits and RTDs. We're going to continue to see that kind of innovation.

One of the other fascinating things we're going to get out of the pandemic in the drink world is a whole lot of new sophisticated and educated consumers. There are a lot of people who spend a lot of time at home learning about drinks. I'm interested to see how this influences bars and restaurants. I think there's a chance that in the near future, you’re going to be able to walk into a big chain restaurant and get a cocktail usually only served in a mixology bar. I think we're going to see a lot more complexity arriving in bars that had been simpler before.



FOR PEOPLE WHO ARE JUST GETTING STARTED AT HOME, WHERE DO YOU SUGGEST THEY GET STARTED?

We're going to do some fun stuff with ReserveBar, including some easy-to-follow “how-to” articles on popular drinks. I think ReserveBar has a lot of great classes as well already and articles there. I think there are a million books on the subject, a bunch of places to start, depending on what you want to do.

I started with “Imbibe!”, which is by David Wondrich. It is a really great introduction to understanding the craft and the history of bartending. If you're just starting out, Jeff Morgenthaler’s “The Bar Book” is the book you want because it really breaks everything down in a straightforward way, and he's got a great voice. Lastly, talk to bartenders. Talk to the people who make drinks and ask them questions. Bars are different from a restaurant where you don't get to ask the chef how they made your meal. At a bar, you can watch the bartender make your cocktail, and you can ask a question, and you can ask for suggestions on what spirits to buy. There's so much knowledge that they keep, and they're always happy to share.


DO YOU HAVE ANY CAREER ADVICE FOR WOMEN WHO ARE LOOKING TO BREAK INTO THE INDUSTRY?

The drinks industry has been very male-dominated for a long time, but that is changing. There are so many incredible women both entering the industry and moving up into leadership roles within it right now. We're seeing women leading kitchens, leading bar teams, and leading brands. It is really exciting to have more visibility for women and to see more women being mentored and trained into all types of roles in production, supply chain, and sales, plus more female master distillers stepping forward and being promoted. So my advice to women is to know that there's space for you and to go claim that space. There is room for you at the table, and your voice is important. You are needed.

But I think women know that and don’t need my advice. I believe in women. So my advice is really for the men. Men in leadership need to make space for women. They need to include them, champion them, and bring them up. They need to listen to them, support them, and work on unlearning their cultural programming around gender biases. Without awareness and intention, people tend to default to hiring people who look and act like them; that's a disservice to everybody. It takes humility and bravery to confront your biases, but it leads to more people at the table, and that’s better for everyone.

So be brave and be bold, continue following your passions, and if and when you have the opportunity to raise somebody up, do it.


ANY CLOSING THOUGHTS BEFORE WE GO?

My last thought for your readers is to go out and go to bars. Especially if you are passionate about spirits and cocktails. I think that the hospitality industry got hit so hard, and it's really important, especially now, that we go out and support them. Most great drinks were created IN bars, so we need to continue to support those, now more than ever.

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